Merrimack Wrestle with Gravity on New Single

Merrimack

Prepare to delve deep into an abyss of existential turmoil. Today, MERRIMACK are unveiling the third piece of their new album Of Grace and Gravity.

Listen to “Under the Aimless Spheres”: https://youtu.be/nJXfnq2ux3c

Of Grace and Gravity is out March 8, 2024.

Pre-order: https://redirect.season-of-mist.com/MerrimackGraceGravit


“Under the Aimless Spheres” is a visceral exploration of existential angst and spiritual dissolution. The new single echoes the French black metal band’s enigmatic mastery and captivating lyrical depth.

The lyrics, laden with poetic intensity, evoke a journey through the tormented landscapes of the soul. “We hope in her loins for the assumption, The oath is palavered at her breast”. Merrimack tempt the divide between faith and disillusionment, confronting the weight of our cryptic existence. 
With each writhing verse, Merrimack slinks along the contours of existential despair, casting a light on the ferments of stone and sighs of the earth. “Under the Aimless Spheres” is as challenging as it is extreme, a tumultuous dance of divine contempt and mortal longing. Yet it’s also familiar, thrilling territory for a band that’s always cutting along the fine line between what’s sacred and profane.

Merrimack 2024

Track-list
1. Sulphurean Synods (6:42) [WATCH]
2. Sublunar Despondency (7:07)
3. Dead and Distant Clamors (5:35) [LISTEN]
4. Wounds that Heal (6:44)
5. Starving Crowns (8:05)
6. Under the Aimless Spheres (7:01) [LISTEN]
7. Embalmer’s Wine (6:59)
Total: 48:13

MERRIMACK are back with their new album ‘Of Grace and Gravity’. Their third release for Season of Mist arrives after the re-print of their long sold-out debut ‘Ashes of Purification’, which followed the sizeable impact that their last album, ‘Omegaphilia’, had on the Black Metal Scene.

Merrimack can be categorised as extreme traditionalists that are driven by a burning desire to hone their skills and striving to bring their art to perfection. The band was founded by guitarist Perversifier a.k.a. Amfortas in 1994 with a clear vision to keep the black metal flame burning as an act of aesthetic terrorism – as adamantly based in the underground as opposed to any attempts to co-opt, commercialise or turn the style into a self-parody. Introduced by a number of demo recordings (‘Prologue’ – 1995, ‘Act 1’ – 1995, ‘Horns Defeat Thorns’ – 2001) and split releases (with Hirilorn in 1998 and Sargeist in 2002), the French gained respect in the scene by remaining true to their words.

Although Merrimack decided to reach out to a larger audience with the release of their first full-length ‘Ashes of Purification’, the Parisians did not sever their roots with the underground at any time. With the following albums, ‘Of Entropy and Life Denial’ (2006) and ‘Grey Rigorism’ (2009), Merrimack closed ranks with the most influential, active, and authentic acts of the French black metal scene. Their classic combination of harsh sound with epic structures appealed to critics and fans alike and put the band on their celebrated first US tour with MARDUK and NACHTMYSTIUM in 2009.

After recording ‘The Acausal Mass’ (2012) in the legendary Necromorbus Studio (WATAIN, DESTRÖYER 666) again, Merrimack embarked on a European tour with Norwegian icons MAYHEM and accepted invitations to prestigious festivals such as Hellfest in their native France, Germany’s Party-San Open Air and Summer Breeze as well as Montreal’s Messe des Morts in Canada. With their previous album, ‘Omegaphilia’, Merrimack were breathing fresh life into an exhausted genre. While ignoring epithets such as progressive, post-, and avant-garde, the French focused on razor-sharp songwriting, captivating melodies, and close to perfect arrangements.

The ensemble now presents their latest album ‘Of Grace and Gravity’, an aural journey where grotesque assemblies of roosters and goats languish at the foot of heavens. Wallowing guitars and hypnotized passages of blasting drums collide with gravity-bound atoms in oblivious occlusion. Merrimack, in their enigmatic mastery, expose the futility of belief in occult ministries and slashes at the mask of the sky. The listener, questioned in their faith of the shadows and occult idols. Dare believe in the sulfurous whispers echoing through this blackened masterpiece.

Line-up
Perversifier – Guitars
A.K. – Guitars
Blastum – Drums
Vestal – Vocals
Daethorn – Bass

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