Today, Arkansas progressive doom quartet PALLBEARER announces they are adding a handful of headline dates surrounding their previously announced June shows supporting YOB.
They begin with a hometown play at Mutants of the Monster Fest in Little Rock, AR on June 3rd and a week later will hit Louisville, KY followed by Chicago before joining YOB in NYC on June 13th. A full list of dates is below.
PALLBEARER’s BrettCampbell comments, “On either side of our upcoming dates with Yob, we’re going to be headlining some cities we haven’t played in far too long. We’ll be playing songs from all eras, and perhaps some material that no one has heard yet. See you there!”
General admission tickets for the headlining shows as well as the dates with YOB are now on sale and can be purchased at https://www.pallbearerdoom.com/tour.
Confirmed PALLBEARER dates are listed below: 6/3 – Little Rock, AR Mutants of the Monster Fest* 6/10 – Louisville, KY – Portal* 6/11 – Chicago, IL – Reggies* 6/13 – New York, NY – Le Poisson Rouge # 6/14 – Richmond, VA – The Broadberry # 6/15 – Asheville, NC – Asheville Music Hall # 6/16 – Atlanta, GA – Masquerade (Hell) # 6/17 – New Orleans, LA – House Of Blues # 6/18 – Austin, TX – Oblivion Access Festival # 6/20 – Albuquerque, NM – Sister # 6/21 – Mesa, AZ – The Nile # 6/22 – San Diego, CA – Brick By Brick # 6/23 – Los Angeles, CA – Teragram Ballroom # 6/24 – Oakland, CA – 3rd & Castro # 6/26 – Salt Lake City, UT – Urban Lounge* 6/27 – Denver, CO – Bluebird Theatre 6/28 – Kansas City, MO – Record Bar *
#Supporting Yob *Pallbearer headline date
Pallbearer‘slatest album, the critically acclaimed LP ‘Forgotten Days‘ was released in 2020.
PALLBEARER formed in Little Rock, Arkansas USA in 2008. A heavy rock band from the South isn’t that unlikely, but one that is responsible for, in part, rekindling America’s (and the world’s) passion for heavy rock/doom metal is all but unbelievable. From Sorrow and Extinction (2012) and Foundations of Burden (2014) to Heartless (2017) and Forgotten Days (2020), Pallbearer ignited in generations new and grizzled, not just a renewed interest in originators such as Black Sabbath and Candlemass, but also infatuation over echelons of lesser-knowns.
