
Since rising up from Athens’ underground in 1991, Nightfall have stood as pillars for Greek metal alongside current and former Season of Mist label mates Rotting Christ and Septicflesh.
Like their brothers-in-arms, captain Efthimis Karadimas and his Athenian rebels sculpt towering gothic melodies from fiery blackened death metal. Their monumental eleventh full-length is bolstered by a powerful message and the mightiest production in the band’s pantheon-level discography. The latest single from Children of Eve charges into the heat of battle with the same vengeance that fueled their rise, but “Seeking Revenge” is spearheaded by the biggest hell-raising chorus on an album full of crowd-pleasers.
“We wrote this song in retaliation for the vengeful teachings that the catechism practices on us”, Efthimis says. “It seeks revenge for the expelled ones, the traders of anathema, who have the outlandish desire to disobey Christian Svengali”.
Watch the searing lyric video for “Seeking Revenge” on the Season of Mist YouTube channel.
https://youtu.be/eF1f3IJanxI
Children of Eve comes out May 2, 2025 on Season of Mist.
Pre-order & Pre-save
https://orcd.co/nightfallchildrenofeve
Can’t wait for the arrival of Children of Eve? You can listen to the whole album tomorrow during Nightfall’s Bandcamp listening party.
Nightfall Children of Eve Bandcamp Listening Party
Thursday, April 17 @ 1 pm Eastern Time / 7 pm Central European Summer Time
RSVP
https://nightfallofficial.bandcamp.com/live/children-of-eve-listening-party
Though they stand proudly among the unholy trinity of Greek metal, Nightfall have always separated themselves from the pack. They were the first band in the country’s history to sign an international record deal and perform at Wacken Open Air. “Well, here is one of the rare, original bands”, wrote Angry Metal Guy about one of their more astronomical concept albums.
Read the tracklist out loud and it’s clear that the message behind Children of Eve is aimed at overzealous devils. But even though the band have sharpened their attack, “Seeking Revenge” shows that Nightfall still have a flare for the dramatic. Operatic vocals climb like a fallen angel over Fotis Benardo’s coliseum-shaking drum fills and what sounds like a dark, alien strobe of light.
“I bought a Yamaha synthesizer secondhand in 2000”, says Efthimis. “What you hear at the beginning of this song is the same riff that I recorded on that synth 25 years ago”.
While their fearsome frontman does wield a cloak and dagger onstage, when “Seeking Revenge” hits the chorus, Nightfall go straight for the kill. Guitarist Kostas Kyriakopoulos down-picks chug like an army of horses. “I am the fire in your eyes“, Efthimis growls, stoked by the smoldering bass of Vasiliki Biza and synths that don’t shimmer but pierce across the sky.
Living under the Eastern Orthodox Church over the past three decades has only deepened Nightfall’s disdain for overzealous rulers. “Anger was the root”, Efthimis says when asked what birthed Children of Eve. But while their latest rebellion was spurred by the ongoing rise of so-called “holy wars” around the globe, the album’s message is personal. When the band retreated amongst the shadows during their 2010’s hiatus, Efthimis was diagnosed with depression. He now wears a black mask that covers half of his face to show what it’s like to live under the invisible veil of mental illness.
“Mental illness can lead to self-isolation”, says Efthimis, a stigma he’s now fighting through his new initiative Metal Music against Depression. “We can talk about this. We can sing about it. We can build a community that’s based on understanding”.
To amplify the message behind their new album, Nightfall boosted the production for Children of Eve. Once again, Efthimis and drummer Fotis Benardo took charge of the production with a guiding hand from InnerWish guitarist Thimios Krikos. But the album was mixed and mastered by Jacob Hansen, who’s helped Volbeat, Amaranthe and The Black Dahlia Murder crank their metallic fury to arena levels. With its beastly crescendo, “Seeking Revenge” will incite the blackened masses to raise their horns when Nightfall bless the world stage with Children of Eve.
“We’re excited to play this album live”, Efthimis says. “The songs sound massive. The choruses are huge. And there’s a clear message that comes through”.
The video for “Seeking Revenge” was created by Instagoodpromotions (@instagoodpromotion).
More praise for Nightfall
“Strange stuff, good stuff, night stuff” – Angry Metal Guy
“Nightfall is still worth their weight” – Metal Injection
“…accessible and catchy in their construction without sacrificing too much brutality” – Distorted Sound
“arguably helped put Greece’s grim underground on the map” – Metal Wani

Tracklist
1. I Hate (6:05) [WATCH]
2. The Cannibal (3:36)
3. Lurking (4:08)
4. Inside My Head (4:51
5. Seeking Revenge (3:47)
6. For The Expelled Ones (5:07)
7. The Traders Of Anathema (3:15)
8. With Outlandish Desire To Disobey (3:25)
9. The Makhaira Of The Deceiver (4:21)
10. Christian Svengali (4:43)
Full runtime: 43:22
For more than three decades, Nightfall have stood alongside Rotting Christ and Septicflesh as the pioneering trinity of Greek metal. The legendary Athenian death metal band sound as vengeful as ever. But backed by monumental production and a powerful message, their eleventh studio album stands as their darkest and most epic creation yet. Children of Eve is here to unite blackened souls everywhere.
“I love how this album came out”, Nightfall’s founder Efthimis Karadimas says. “We’re excited to play these songs live. The sound is massive. The choruses are huge. And there’s a message that comes through. It’s an album about how we come through pain, how we live with pain, and how we die in pain”.
A Living Legacy of Greek Metal
Since their formation in 1991, Nightfall have remained a beacon for Greek metal. “Well, here is one of the rare, original bands”, wrote Angry Metal Guy. Like the scorching sun over their homeland, the Athenians rose from the underground alongside Rotting Christ and Septicflesh, though they were the first to sign an international record deal.
“Nightfall proves with “Children of Eve” that they’re fairly considered as one of the pioneers of the Hellenic Metal scene” says Rotting Christ frontman Sakis Tolis. “The fact that they create wonderful albums like this one make them legends that still have things to say! Congratulations for this new creation!”
Over the years, the crew around Efthimis has changed frequently. But while Nightfall did enjoy a short but successful stint with Metal Blade Records in the early 2010s, their strong bond with Holy Records during the ’90s established a deep connection between the Greek and French metal scenes. That legacy continues with the band’s current label Season of Mist.
“Nightfall deserve great credit for persistence and determination”, Blabbermouth wrote upon the eve of At Night We Prey. “For fans of face-ripping gloom, [their] sizeable catalogue remains eminently worthy of exploration”.
Monumental Production
Like their contemporaries, Nightfall weave gothic melodies into blackened death metal. Children of Eve features the most infectious collection of hooks that the band has ever created, though their disdain for the dominance of the Eastern Orthodox Church has only deepened over the years. The ongoing rise across the globe of so-called “holy wars” fueled their latest rebellion.
“Anger was the root”, Efthimis explains about the inspiration behind Children of Eve. The band’s veteran leader commands the stage with cloak and dagger, but the album’s lead single pulls no punches. “I am the son of night, notorious bastard”, he roars as an eerie choir echoes like the call of a siren. As if summoned from Olympus, former Septicflesh drummer Fotis Benardo unleashes his attack like a swarm of venomous arrows.
“Faith is a personal matter”, Efthimis continues, “but it can become a dirty business”.
To amplify their message, Nightfall enhanced the entire production of Children of Eve. Efthimis and Fotis took charge of the production with assistance from InnerWish guitarist Thimios Krikos. Meanwhile, Jacob Hansen – who worked with Volbeat, Amaranthe and The Black Dahlia Murder – handled the mixing and mastering. For the artwork, the band turned to Eliran Kantor, who’s renowned paintings have graced the covers of albums by Testament, Kreator and Helloween.
A Powerful Message
Look at the tracklist and it’s evident that “I Hate” takes aim at the consistent influence of organized religion. “The Traders of Anathema” raises its axe in honor of Judas Iscariot, featuring two blistering guitar solos from Kostas Kyriakopoulos. However, Children of Eve wouldn’t bear the mark of Nightfall without a deeper message.
“Death’s Spiritual Healing deeply influenced me”, Efthimis says. “At the time, its social message was so advanced for the genre”. While “The Cannibal” bursts with divine tremolo picking, its lyrics explore how religious structures and fanaticism can devour you. “I hold the power / to explain your screams“, Efthimis howls with chilling intensity.
During Nightfall’s most recent hiatus, Efthimis was diagnosed with depression. Now, he wears a black mask to cover half of his face, symbolizing what it’s like to live under the invisible veil of mental illness. “When you have demons in your mind, you’re not always an ideal companion”, he admits. “That stigma can lead to isolation”.
Now, Nightfall are encouraging fellow metalheads to speak up. The band have launched a new initiative called Metal Music Against Depression (MMaD), which is supported by European Alliance Against Depression in Germany. “We can talk about this. We can sing about it. We can build a community that’s based on understanding”, Efthimis says.
With Children of Eve, Nightfall return from the shadows to unite blackened souls everywhere with their darkest and most epic creation yet.
Line-up:
Efthimis Karadimas – Vocals
Kostas Kyriakopoulos – Guitars
Vasiliki Biza – Bass
Fotis Benardo – Drums
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