BLINDFOLDED AND LED TO THE WOODS have today released their fourth album, and Prosthetic Records debut, Rejecting Obliteration. On their latest full-length, the Christchurch, New Zealand group confront topics of trauma and abuse head on against a backdrop of technical death, progressive and avant-garde metal.
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Speaking on the album release, BLINDFOLDED AND LED TO THE WOODS comments: “Not defined by any one genre, Rejecting Obliteration does just that; rejects the trauma, suffering and desire to give in that we all endure. Given all the pressures in the world for musicians, and people themselves this is the soundtrack for fighting through shit and coming out the other side bigger and badder. Its aggressive, unique, complex yet totally accessible.”
Navigating cycles of abuse and trauma, whilst actively reaching for resolution through resilience, BLINDFOLDED AND LED TO THE WOODS‘ aptly titled Rejecting Obliteration is a testament to and declaration of endurance through hardships and loss. Lyrically conceived by Stace Fifield and Stuart Henley-Minchington, Rejecting Obliteration’s ten tracks share a common narrative thread of finding identity and light outside of personal hurt and psychological harm. The pair’s primary focus on inner strength and resilience serves as an unwavering foundation of who the band are in essence.
BLINDFOLDED AND LED TO THE WOODS’ penchant for converging avant-garde progressive metal with caustic technicality and grinding intensity remains intact on tracks such as Hallucinative Terror and The Waves, thanks in large part to Nick Smith (bass), Henley- Minchington and Ben Atkinson’s intuitive playing styles that come from well over a decade of friendship and life together in the band. Elsewhere, album closer Caustic Burns seethes with dissonant chords and a commandeering performance from Fifield on vocals – whose presence looms large over Rejecting Obliteration’s more harrowing cuts, whilst conveying a rare vulnerability for technical death metal on the album’s more diaphanous passages.
Upon completing the recording of Rejecting Obliteration, BLINDFOLDED AND LED TO THE WOODS sought the mixing expertise of Samuel K Sproull in Melbourne, Australia before handing mastering duties to Grammy Award winner Alan Douches at West West Side Music. The results of the technical team behind the album led to a production sound that retains the more barbarous aspects of the band’s sound and breathes life into the group’s ever growing progressive inclinations. Rejecting Obliteration’s cover art neatly ties together the core theme of cyclical trauma thanks to a commissioned piece from Eliran Kantor (Thy Art is Murder, Psycroptic, Archspire and more), designed to create an endless loop when applied to a printed surface. Whilst despairing in it’s subject matter Rejecting Obliteration refuses to concede to a predestination of further anguish, opting instead to shun all notions of defeat, which in and of itself is vital to BLINDFOLDED AND LED TO THE WOODS’ long fought for and claimed identity.
BLINDFOLDED AND LED TO THE WOODS is:
Stace Fifield – Vocals
Stuart Henley-Minchington – Guitars, Vocals
Ben Atkinson – Guitars
Nick Smith – Bass
Tim Stewart – Drums, Percussion (recording only)
Rejecting Obliteration tracklist:
1. Monolith
2. Methlehem
3. Hallucinative Terror
4. Rejecting Obliteration
5. Wraith
6. Cicada
7. Funeral Smiles
8. The Waves
9. Hands of Contrition
10. Caustic Burns
Upcoming BLINDFOLDED AND LED TO THE WOODS tour dates:Headline Australian tour
18 May – King Lear’s Throne – Brisbane, Australia
19 May – Burdekin Hotel – Sydney, Australia
20 May – Evelyn Hotel – Melbourne, Australia
21 May – Crown and Anchor – Adelaide, Australia
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